Suffering In Shakespeares Plays Essay -- essays research papers

Suffering In Shakespeargons PlaysHow does suffering affect atomic number 53s actions? Do diametrical types of sufferingaffect one in different slipway? This paper seeks to determine how WilliamShakespeares fictional characters respond to sundry(a) types of suffering. Suffering canbe defined in two ways physical suffering, in which the character is inflictedwith physical pain and trauma, and steamy suffering, where the charactersuffers an emotional trauma or loss.In The Tempest, the physically traumatized characters, are Trinculo andStephano. They are chased by dogs tho their physical trauma has not generate anysign of remorse or guilt. Ferdinand, on the other hand, is get the better of byemotional suffering at the "loss" of his son. In fag Lear, Lear is plaguedemotionally. He feels that he has lost the love of his favorite daughterCordelia, and he feels the harsh hatred of his two evil daughters. At theconclusion of the play, his sanity is restored but he has suff ered tremendouslyin an emotional manner at the hands of Regan and Goneril. In Othello, Brabantiogoes by dint of emotional suffering when he essential(prenominal) succumb to his daughters wishes.Desdemona also goes through with(predicate) emotional suffering when she is accused by Othelloof cheating on him when he is convinced of this by Iago.In The Tempest, the fundament of purification through suffering canclearly be seen. Prospero, in his long exile from Milan, has more than attonedfor what ever so mistake he dexterity have made while he ruled. Ferdinand must sufferthrough Prosperos hardships and laborious tests before he can win Mirandashand. Most significantly, Alonso must undergo the suffering that Prospero hasdesigned for him before he is forgiven.Prospero, who is the real Duke of Milan was overthrown 12 years earlierby his younger brother Antonio. Prospero was driven issue of the island alongwith his daughter Miranda the two were cast out to sea. His suffering hasoccur ed in a physical and a non-physical way, he is deeply hurt from losing his ground and from being cast out to die. Despite this, he is generous inforgiving. He is not only in control of those around him but he punishes theguilty and demands repentance.When Ferdinand meets Miranda, they instantly fall in love with all(prenominal)other. "I might call him...a thing divine for nothing natural...I ever saw sonoble." ( Tempest, I, ii, 417-419). He is perfect for h... ...ello and Iago agree that Desdemona should be order to death. Out of rage,Othello smothers Desdemona in bed and kills her. "She must die, else shellbetray more men." (Othello, V, ii, 6).In conclusion, there is evidence that Shakespeare designed hischaracters to be affected by different types of suffering in different ways. Thecharacters who underwent emotional suffering, usually ended up purified or atleast in a better acres of mind. On the other hand, those who only underwentphysical suffering did not s wap from their past behaviors and did not repent.Evidence of this can be seen in the chase ways Ferdinand in TheTempest, is struck by emotional pain. Because of this, he is purified throughhis trial and he repents. In Othello, the main character is caught in anemotional battle- who is he to believe- his loyal servant or his new bride?Unfortunately, Othello does not assure the truth until it is too late and hasalready killed Desdemona. In King Lear, Lear be infers temporarily insane from thepain and turmoil he endures from his daughters. He does not come to terms abouthis mistake until, like Othello, it is too late and Cordelia has already beenkilled.